![]() “Great illustration can inspire and unite.” A film illustrator helps to “develop the visual look and tone of a film communicates a director’s vision to all the departments of a film,” Bush says. It was Bush’s first job as a film illustrator or concept artist (the terms are largely synonymous to her). From there, The Good German ’s production designer, Philip Messina, hired her for Soderbergh’s next project, Ocean’s Thirteen. ![]() Her intimate knowledge of the material made her indispensable, and Soderbergh hired her onto the project full time. ![]() Despite her lack of training as an archivist, Bush threw herself into the project and created an elaborate database of footage. ![]()
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